The Next Big Thing - Feb '09

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These are the wines we shipped to to subscribers of The Next Big Thing in February

 

The Next Big Thing – February 2009

Thursday, February 19th, 2009

This month I had a little fun.  The main event is a comparison of two relatively unknown, totally stunning, Syrahs.  One is a tiny producer in Napa Valley, who is obsessed in the best sort of way, and the other is a tiny producer from Cornas, in the Northern Rhône Valley, who is also, totally obsessed.  For those of you who get both white and red, the white this month is my favorite domestic Chardonnay, again, a tiny production item.  For those who get all red, the third bottle is a stunning Pinot Noir from Burgundy. 

To get the details of your wines, along with links, pictures and maps, follow the links below.

For The Next Big Thing, click here 

For The Next Big Thing all red, click here 

2006 Hirsch Chardonnay Sonoma Coast, California

Thursday, February 19th, 2009

Hirsch Vineyards was established in 1980 on a ridge overlooking the ocean at Fort Ross, Sonoma County . . . .  From the start all efforts have been on the growing of fruit that makes wines profoundly characteristic of the site vintage after vintage. Time is our most valuable asset, and as only time can judge a wine to be a valid expression of its site, we have focused our vision on the long term. To this end we have dedicated ourselves to live and work on site in order to discover by farming and, more recently, winemaking, a valid philosophy of viticulture that will harmonize our inputs with the constantly changing effects of a dramatic geology and problematic climate. . . . We are constantly on guard that science, consultants, or techniques serve, not co-opt, our intentions. . . . This complex, unique site produces fruit and wines of unusual acidity and balance with a vintage specific concentration of pinot noir or chardonnay fruit. These are wines to be enjoyed now or laid down for future consumption. We are not interested in the culture of cult. Wine is one of the mysteries that mirrors the depth and inscrutability of Life itself; and as we have been taught by book and fable, it is a gift to be shared, cherished, respected, and most importantly enjoyed. - from the Hirsch Vineyards and Winery Websitehirsch-vineyards

The above quote from Hirsch’s website is as good of a description of their wines as I could ever give.  The Pinot Noirs, which have a slightly larger production, as among my favorite from California, and rank with my favorites from anywhere. But this Chardonnay, which is made in miniscule quantities (360 cases), and is often a bit cloudy, floors me every time I have it.  Though it is unmistakably from California, it has the structure, the nervosity, of a great white Burgundy.  I can’t get enough!

Here is a wine for Salmon (grilled, or even poached), or for black truffles, or for Foie Gras (better yet, Foie Gras with Truffles).   Or, forget about the food, and just drink the wine . . . food is so overrated.  This is a wine that will age admirably, yet it drinks well now.  Drink now – 2015.

This is a link to a “map” of the blend for the 2006 Chardonnay, basically what blocks were blended together.  I love this kind of geeky perfectionism.

2005 Vincent Paris Granit 60 Vieilles Vignes Cornas, France

Thursday, February 19th, 2009

paris-granit-60This is the first of two Syrahs this month.  I thought a study of two styles, both of which I find stunning, would be a great rumination on why Syrah can be such a special wine.

Vincent Paris, whose first vintage was 1997, is as shy as his wines are bold. In his early 30’s, he has retro sideburns, but not much else in the Cornas appellation’s new star is “retro”. Vincent’s uncle is Robert Michel, one of Cornas’ finest growers. He made his two first wines with his uncle then, seeking autonomy, rented facilities for the vinification of his most recent wines. He is in the process of building his own winemaking facilities with a courtyard that holds his apricot plantation.vincent-paris

Vincent Paris, co-president of the appellation of Cornas with Jacques Lemencier, owns 6 hectares of vineyards and produces about 2,500cs per year of which 1,600cs are Cornas. He inherited most of his own vines from his grandfather (some of which are 90 years old) and has also rented some vines from his uncle. Vincent’s total rented and owned holdings amount to 8 hectares. They are located at different places primarily along the southeast facing Cornas slope and a small lot in St. Joseph.

He prunes to only four bunches of grapes per vine (the norm is between five and seven) which concentrates the vines’ growing power and cuts down on the need for green harvests. He ferments at relatively low temperatures and matures his wine in oak barrels for up to 12 months.

The Cornas Granit 30 and 60 designations refer to the soil, the approximate age of the vines, and the slope on which they are planted. The Granit 30 is concentrated black fruit in a relatively “consumer friendly”style – perhaps a bit more Syrah-ish than Cornas-ish, whereas the 60 is classic Cornas – dense, aromas of kidney and iron, with a terrific mineral underpinning.

This wine is dense and heady, and almost musky, but has enough rich, layered fruit to be attractive rather than weird.  This is a wine for game, venison, elk (ideal), squab, and for big blue cheese.  I recommend decanting it for a good hour before drinking it.  This is also a wine that will continue to improve for some time, and will probably begin to be at its best in 2 or 3 years.  Drink 2012 – 2018.

2006 29 Songs Suscol Creek Vineyard Back Porch Block Syrah Napa Valley, CA

Thursday, February 19th, 2009

29-songs-06-labelFor the second wine in our Syrah comparison, my favorite California Syrah, and one of my favorite wines of the last few years.  This is a cult wine in the making if ever I saw one.

29 Songs is a bottling of 100% Syrah produced from a single, 1.7 acre block of vines located in the Southern end of the Napa Valley.  Kelly Wheat, the winemaker and owner, has chosen the approximately 260 cases of this wine that he makes each year as the sole output of his own label.  He works collaboratively with the vineyard owner, with whom he signed a long-term contract while the vineyard was still fallow, and is deeply involved in every aspect of his own tiny production.

Kelly Wheat says of his wine, “My goal with 29 Songs is to make a wine of intensity without allowing power to substitute for beauty.  A wine of generous texture that also retains its structure.  A wine that is allowed to reflect its cellar as well as its varietal identity.  My winemaking decisions are always in service to those goals.  They don not arise out of fear of what might go awry, but out of continuously seeking an understanding of the harmonies and complexities of growing and making wine.  It is a life-long process.”

To me, it is everything good about Napa Valley wines, and about Syrah, and about small, artisan winemakers, all rolled into one.  You’ve really got to try this wine to understand.

This is a big wine, but it has an absolutely uplifting structure that allows the oak, fruit and even, dare I say with a California wine, a bit of terrior to shine through.  It is also a great wine for food.  This is a wine that is stunning with lamb and wild game, but also with wet barbecue (Louisana style) and all manner of smoked or grilled things.  Drink now – 2016.

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